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Both tracks released so far by Ashnymph defy easy classification: their own description of their work as “subconscioussion” doesn’t offer many clues. Their initial track Saltspreader married a jackhammer industrial beat – guitarist Will Wiffen has at times appeared on stage sporting a shirt that bears the logo of Godflesh, icons of industrial metal – with old-school electronic keys and a guitar line that partly brings to mind the classic Stooges track I Wanna Be Your Dog, before melting into a wall of disquieting noise. The desired impact, the group has mentioned, was to conjure highway journeys, “the ceaseless flow of vehicles all day long over great lengths … orange lights at night”.

The next release, Mr Invisible, occupies a space between dance music and experimental rock. Firstly, the song's beat, multiple entrancing electronic parts, and vocals that arrive either hallucinogenically distorted or mesmerizingly repeated in a way that recalls Dubnobasswithmyheadman-era Underworld all indicate the dance space. On the other, its intense performance-style shifts, edge-of-chaos quality and distortion – “achieving a crunchy texture is a personal mission,” Wiffen noted – set it apart as clearly a group effort rather than a bedroom-bound producer. They've gigged around the independent music circuit in south London for less than a year, “any spot with loud speakers”.

But both are exciting and different enough – from each other and anything else around at the moment – to prompt questions about Ashnymph's upcoming moves. Whatever it is, on the basis of these two singles, it’s unlikely to be boring.

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